Dare Not Walk Alone

This plastic film is an emotional march from yesteryear to present combining rarely seen news footage from 1964 with present daytime testimony to tell the true narration of troubled times in the historic tourist town of St. Augustine, Florida. See African-Americans and their allies in the

Mp3 music: Anne Briggs

Artist: Anne Briggs: mp3 download    Genre(s):  Folk     Anne Briggs's discography:      The Time Has Come    Year: 2001    Tracks: 13 In the annals of pop and tribe music, there are few sagas unknown than that of Anne Briggs. An awesomely talented singer of traditional English kinfolk music music, possessing of as pure and breathtakingly beautiful a voice as matchless could hope to deliver, she was the single near important influence on a grouping of female British folksingers that includes Sandy Denny, Maddy Prior, June Tabor, and Linda Thompson. Even Norma Waterson, herself a hugely important figure in the British folk music music revitalization of the mid-'60s, admits to organism influenced by Briggs' chatter, and notes that Anne Briggs singlehandedly changed the means that English women folksingers american ginseng. What makes this tarradiddle so odd is that Briggs' entire recorded turnout consists of about 30 songs. She stopped up tattle at the old age of 27, purportedly because she despised the sound of her recorded voice. As folk music music became electrified and more and more popular, and bands such as Fairport Convention and Pentangle were reinventing the British folk music custom, and more and more women (Arenaceous Denny, et al.) were babble in a style started by Briggs, her caption flourished, up to now she refused to shed the beans. Briggs was born in Nottinghamshire in 1944 and began tattle tribe music spell still in her teens. Within a mates of days she was a unconstipated at local tribe clubs, getting her bad break as a resultant of the Centre 42 circuit of 1962. The Centre 42 circuit was an attack by musicians and other artists (backed and supported by trade unions) to deliver politically collectivist cultural activities to areas outside of London. Part of Centre 42's invoke was that in each city, local talent would hearing for a slot as a support act. It was hither that Briggs got her crack and was observed by British phratry caption Ewan MacColl. She was so good that MacColl positive her to leave school and conjoin the lie of the tour. While touring with Centre 42, Briggs began working with MacColl's friend and co-architect of the British phratry music revival, Bert Lloyd. Briggs considers him the to the highest degree significant influence on her exercise, and her debut EP, The Hazards of Love, had Lloyd's fingerprints all over it. But he was non a simple Svengali trying to take advantage of a teen folksinger; he treasured to give her the direction (as well as the songs) she needed to become a brobdingnagian talent. Lloyd was smart enough to understand that this was an extraordinary, once-in-a-lifetime type of isaac Bashevis Singer, and he treated her with kid gloves, acquiring her to loose (Briggs was notorious for her jumpiness) and serving her phonograph recording some marvelous music. But Briggs had a job with recording her singing -- she detested doing it and hated the way she sounded, so much so that she retired from music, iII years shy of 30, already touted as the sterling legend in English phratry music. Briggs still lives semi-reclusively in England and is still not recording or vocalizing in public, merely her influence remains potent. As guitar player Martin Carthy so capably arrange it: "She didn't mess about. There were no histrionics. There was no posing. There was no self-aware style. She sang fluidly, well, with howling passion."

Bigfoot Press Conference Proves ... Nothing

A duo of Southerners had a press league today to discuss their "discovery" of the legendary Bigfoot. The only problem -- they didn't want to show the body! Uh huuuuuh....

Mathew Whitton and Rick Dyer showed two photos of the alleged Sasquatch, but denied assembled reporters access to the corpse until "scientists" could examine it. And by scientists they probably mean their fifth grade kids and their Fisher Price doctor's kit.

Something stinks, and it ain't that hairy beast in the freezer.





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Ted Allen on the case of cuisine

Culinary expert Ted Allen, who was one of the Fab Five on "Queer Eye for the Straight Guy" and sits on a panel of judges on "Top Chef," takes the lead this time around.

The Emmy winner hosts Food Network's new series "Food Detectives" at 9 p.m. Tuesdays.

On the half-hour show that's a mix of "Good Eats," "Mr. Wizard" and "Mythbusters," Allen will call on the help of culinary techs and the brains at Popular Science magazine to conduct experiments behind intellectual nourishment myths. Some of the ideas tried and true will be the five-second rule, how long it takes the stomach to digest mucilage and whether an apple a day keeps the doctor away.

Viewers will be encouraged to submit their own food conundrums to be well-tried on the show.

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Live Nation Brings Fans Into the 'FAST LANE' With New Program Ensuring Speedier Entrance to Shows

LOS ANGELES, June 25 /PRNewswire-FirstCall/ -- Live Nation(R) (NYSE:
LYV) today introduced Live Nation FAST LANE(TM), a new ticketing program
that offers music fans the chance to, at no extra charge, enter ahead of
the crowd to their favorite shows at Live Nation owned and operated venues
when they purchase their tickets online through Live Nation Tickets(R) on
LiveNation.com.

(Logo: http://www.newscom.com/cgi-bin/prnh/20070220/LATU096LOGO)

Beginning June 25, fans gain FAST LANE privileges simply by going to
LiveNation.com and buying tickets through Live Nation Tickets to the shows
of their choice at any Live Nation owned and operated venue (subject to
ticket availability for participating shows). Once their purchase is
complete, fans will be given information on how to pass ahead of the crowd
and go right inside via a special FAST LANE entrance.

"We want to reward music fans who purchase tickets through Live Nation
Tickets via LiveNation.com with a special perk -- being able to enter our
venues first with our complimentary FAST LANE ticketing program," said
Nathan Hubbard, President of Live Nation Tickets. "With FAST LANE, general
admission and lawn ticket holders will be more likely to get the vantage
point they want for experiencing their favorite artists in a very close and
direct way, while fans with reserved seats will get the convenience of not
having to line up before the show. This is a great benefit for all fans,
and especially for general admission ticket buyers."

The new Live Nation FAST LANE program is entirely complimentary, and
fans can enjoy FAST LANE privileges when they use Live Nation's
print-at-home ticketing feature, for which there is never a fee. For
identification at the venue, FAST LANE tickets purchased through Live
Nation Tickets on LiveNation.com feature distinctive Live Nation colors and
branding and are available on a limited basis for participating shows.

To learn more about the Live Nation FAST LANE program, please visit:
http://www.LiveNation.com

ABOUT LIVE NATION:

Live Nation is the future of the music business. With the most live
concerts, music venues and festivals in the world and the most
comprehensive concert search engine on the web, Live Nation is
revolutionizing the music industry: onstage and online. Headquartered in
Los Angeles, California, Live Nation is listed on the New York Stock
Exchange, trading under the symbol "LYV." Additional information about the
company can be found at http://www.livenation.com under the "About Us"
section.




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Einsturzende Neubauten

   
Artist: Einsturzende Neubauten

   Genre(s): 
Industrial
   Alternative
   Indie
   Soundtrack
   Experimental
   Rock: Electronic
   Metal
   

---

Discography:


   
 Silence Is Sexy

   Year: 2004   
Tracks: 15


   
 Perpetuum Mobile

   Year: 2004   
Tracks: 10


   
 Perpetuum Mobile

   Year: 2004   
Tracks: 12


   
 Silence Is Sexy

   Year: 2000   
Tracks: 14


   
 Berlin Babylon

   Year: 2000   
Tracks: 13


   
 Odysseus 7

   Year: 1998   
Tracks: 24


   
 Ende Neu Remixes

   Year: 1997   
Tracks: 10


   
 Faustmusik

   Year: 1996   
Tracks: 9


   
 Ende Neu

   Year: 1996   
Tracks: 8


   
 Ende Neu

   Year: 1996   
Tracks: 8


   
 Strategies Against Architecture III (CD 2)

   Year: 1995   
Tracks: 15


   
 Strategies Against Architecture III (CD 1)

   Year: 1995   
Tracks: 12


   
 Tabula Rasa

   Year: 1993   
Tracks: 7


   
 Tabula Rasa

   Year: 1993   
Tracks: 8


   
 Malediction (EP)

   Year: 1993   
Tracks: 6


   
 Malediction

   Year: 1993   
Tracks: 6


   
 Interim (EP)

   Year: 1993   
Tracks: 5


   
 Interim

   Year: 1993   
Tracks: 5


   
 Strategies Against Architecture II - CD2

   Year: 1991   
Tracks: 12


   
 Strategies Against Architecture II - CD1

   Year: 1991   
Tracks: 11


   
 Strategies Against Architecture II (CD 2)

   Year: 1991   
Tracks: 12


   
 Strategies Against Architecture II (CD 1)

   Year: 1991   
Tracks: 11


   
 Die Hamletmaschine

   Year: 1991   
Tracks: 1


   
 Die Hamletmaschine

   Year: 1991   
Tracks: 1


   
 Funf Auf Der Nach Obenen Offenen Richterskala

   Year: 1987   
Tracks: 7


   
 Fuenf Auf Der Nach Oben Offenen Richterskala (Five On The Open-Ended Richter-Scale)

   Year: 1987   
Tracks: 6


   
 Five On The Open-Ended Richter-Scale

   Year: 1987   
Tracks: 7


   
 Strategies Against Architecture

   Year: 1984   
Tracks: 14


   
 2x4 Live

   Year: 1984   
Tracks: 8


   
 Zeichnungen Des Patienten O.T (Drawings Of Patient O.T.)

   Year: 1983   
Tracks: 15


   
 Strategies Against Architecture '80 - '83

   Year: 1983   
Tracks: 14


   
 Drawings Of Patient O.T.

   Year: 1983   
Tracks: 15


   
 nsturzende Neubauten

   Year:    
Tracks: 1


   
 Einstuerzende Neubauten

   Year:    
Tracks: 6

---

Along with Cabaret Voltaire and Throbbing Gristle, Germany's Einstürzende Neubauten ("collapsing new buildings") helped initiate industrial music with an vanguard mix in of white noise guitar drones, vocals verging on the unlistenable at times, and a clanging, rhythmical din produced by a percussion section consisting of building materials, hand and ability tools, and assorted metal objects. Einstürzende Neubauten was founded by vocalist/guitarist Blixa Bargeld and percussionist and American deport N.U. Unruh in Berlin as a performance art collective; their early activities included a seemingly incomprehensible half-naked show on the Berlin autobahn, where the duet spent some time beating on the sides of a hole in an flyover. The group's early lineup too included percussionists Beate Bartel and Gudrun Gut, asset subscriber and sound engineer Alexander Van Borsig


Einstürzende Neubauten's earlier recordings are largely amorphous, free form noise issued on various cassettes and singles, including their number 1 single "Fuer hideout Untergang," the 1981 EP Schwarz, and the 1982 album Kollaps. Some of these recordings are compiled on the Strategies Against Architecture '80-'83 accumulation, with alive shows on the cassette-only 2x4. Bartel and Gut were replaced by ex-Abwräts member F.M. Einheit (world Health Organization served as Neubauten's chief machinery operator) in 1983, when guitarist and electronics expert Alexander Hacke and Abwräts bassist Mark Chung too joined. A tour of England opening for the Birthday Party resulted in a sign on with Some Bizarre Records, which released the somewhat more structured Zeichnungen diethylstilbesterol Patienten O.T., as well as consternation from social club owners and journalists all over Neubauten's phase demolitions and sponsor ensuing furiousness.


When Nick Cave leftfield the Birthday Party and formed his backing band the Bad Seeds, Bargeld became the guitarist and toured and recorded with Cave over most of the decade. He remained with Neubauten, yet, which released Halber Mensch in 1986, showcasing its wider range of expression. The radical disbanded briefly simply soon re-formed, and have released albums off and on since then for Elektra, sign language to Trent Reznor's Nothing label for 1998's Ende Neu. While Bargeld remained a Bad Seed, Van Borsig and Hacke contributed to the residuum of the Birthday Party's recordings as Crime & the City Solution. In May 2000 Einstürzende Neubauten released the full-length Silence Is Sexy on Mute Records. Two age by and by they proclaimed they were no longer interested in working with a traditional label and that their side by side transcription would be made with the help of supporters. These supporters would make up a fee, get exclusive material, and help fund the future official record album.


Despite their best intentions, Einstürzende Neubauten released their 2004 album Perpetuum Mobile on Mute. The releases for supporters that appeared over the side by side few long time helped fund the official album Alles Wieder Offen, which was released on the band's have label in 2007. Elektra reissued both Strategies Against Architecture compilations on CD, patch to the highest degree of the group's '80s albums rest uncommitted on the main Thirsty Ear label.

Peaches Geldof Seen Snogging Girl at Club

Wayward teen Peaches Geldof has been spotted kissing another girl in a nightclub.

The 19-year-old daughter of rocker Bob Geldof was seen at London nightclub Bungalow 8 on Tuesday getting cozy with a mystery female companion during a performance by Brit band The Hoosiers.

A source reveals, "Peaches wasn't making any attempt to be discreet. She and the other girl were snogging the faces off each other."

Peaches, 19, was last month caught on tape buying drugs from Amy Winehouse's alleged dealer.

In the clip, captured by a hidden video camera, Peaches, can apparently be seen handing a man and woman $280 in cash and being told by the man the deal will cost her $380.

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